Director Werner Herzog returns to the exotic locales and obsessive themes of previous works in his Amazon masterpiece, FITZCARRALDO. Klaus Kinski gives a terrifying and determined portrayal of mad genius Fitzcarraldo, whose twin goals of making a fortune off the Amazon rubber trade and bringing an opera house to the jungle give the film its crushing centerpiece--the maniacal leader's Sisyphean efforts at hauling a gigantic steamship over a mountain bank. The single-minded and wickedly energetic Fitzcarraldo moves mountains (and a boat) with his will and along the way acts out a stunning and emotional battle between man and nature, as in the similarly themed Herzog/Kinski collaboration AGUIRRE, THE WRATH OF GOD.

Herzog's razor-sharp attention to the minutiae of both Fitzcarraldo's madness and the jungle's corresponding apathy and enormity makes the film a breathtaking metaphor for civilization's impact on the natural world. The documentary style of the film (the cast and crew actually hauled the boat over the mountain) gives the tale an urgency and suspense that, combined with Kinski's bravado performance and Herzog's striking sense of landscape, make FITZCARRALDO an unforgettable experience.

For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete the most ambitious and difficult film of his career-Fitzcarraldo, the story of one man's attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made all the more perilous by Herzog's determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of natives to pull a full-sized, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded passion of one of cinema's most fearless directors.